Jazz Improv Speed Builders Play​-​Along Series Volume​ ​1​ ​—​ ​“​Standard​”​ ​Blues (see​ ​detailed​ ​description​ ​below​ ​track​ ​information)

by Rich Willey

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about

At last, a logical and methodical approach for developing fast-tempo improv chops!

This is a common-sense approach to developing velocity in your jazz improv in all twelve keys. This slick regimen will dramatically improve your uptempo improvisational ability via 60 extended play-along tracks (over 17 hours of play-alongs) to incrementally get you from playing slow to playing fast!

Improv Speed Builders comes in five volumes, each containing a PDF with lead-sheet style melodies and chord symbols for C treble clef, C bass clef, B-flat intruments and E-flat instruments (and a provision for French Horn players, too) and over 17 hours of play-along tracks designed to take you from a snail’s pace all the way up to burning!

Each key has five accompaniment tracks, the first starting at ♩=80 and creeping up one beat-per-minute (bpm) for sixty choruses (ending up at 140 bpm). The second track starts at ♩=120, the third track at ♩=160, the fourth track at ♩=200, and the fifth track at ♩=240. The tempo overlap between the tracks helps you ease into the higher velocities more gracefully.

The suggested strategy for getting through sixty choruses is this: by playing a chorus and resting a chorus (or trading with a practice partner or scatting every other chorus) your chops will be able to rest as much as you play so you can go on much longer than you might think you can. Also, it’s the perfect vehicle for spending equal time on all your instruments, i.e. a chorus on trumpet, rest a chorus while picking up your flugelhorn and then play a chorus, rest a chorus while grabbing your cornet for the following chorus, etc. Or it can be a great way to spend equal amounts of time rotating through your various mutes that you might not remember to practice between gigs. The possibilities are endless with this series!

The tempo increase is not an accelerando; each imperceptible tempo change happens precisely at the beginning of the next chorus so you are always holding a steady tempo. The tempo increases incrementally chorus by chorus so you really don’t even notice, but the next thing you know you’re negotiating changes at a much faster tempo than you ever thought you could!

These are guaranteed to take you to the next level and beyond without all the frustration and guesswork you may have already experienced.

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released October 5, 2020

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Rich Willey Asheville, North Carolina

Florida-born North Carolinian Rich Willey (rhymes with “Billy”) cut his teeth in Philadelphia jazz clubs in the early 80’s and started calling his bands Boptism in 1986. After finishing school, he worked in NYC before touring with Maynard Ferguson after 9/11/2001.

Rich and his wife Janet run Boptism Music. Rich is a freelance trumpeter, bass trumpeter and tuba player in beautiful Western NC.
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